Lawrence Osborne

Review of Bangkok Days in www.eats.com

http://eats.com/eats-editorials/foodie-news/book-review:-%22bangkok-days%22-by-lawrence-osborne-20090623852/

A review summary and opinions by ex-pats in Bangkok on www.absolutelybangkok.com

http://absolutelybangkok.com/sorta-henry-miller-lawrence-osbornes-vulgar-prose-bangkok-days/

Review of The Accidental Connoisseur from Courtney Cochran's blog Hip Tastes

http://www.courtneycochran.com/blog/2008/07/

Interview with Jean-Luc Godard for the New York Times

http://www.nytimes.com/2001/09/30/magazine/30GODARD.html

From the wine blog www.vindelatable.blogspot.com

Monday, September 29, 2008

The Wine Writing of Lawrence Osborne and Jay McInerney

Readers may have noticed my affection for wine writers Lawrence Osborne or Jay McInerney by glancing at the "my favorite wine and food books" bar on my blog, or through browsing the selection at the Visit Kirstin's Amazon Store link.

Although the number of fine writers writing about wine is very high, these two have something special. Their writing always strays from the norm in its engaging, approachable style and comedic flair. Sure, there's a little wine snobbery and namedropping here and there in their books, but unlike many other wine writers who can't seem to complete a paragraph without mentioning (gasp!) Petrus or the Rothschilds, McInerney has made it though an entire essay with the names he's dropped being Roger Dangerfield and Baywatch. Which brings our attention to comedy in wine. There's not enough of it. In general, wine isn't intended to be scary or overly exclusive, but bad writers can make it seem so. McInerney and Osborne's charm is often found in their acknowledgment of elitism in wine and in their exploration of the exclusive wine bottles and the craze behind them.

Here's an example of some of McInerney's work from "Bacchus and Me: Adventures in the Wine Cellar," where he considers the allure of the word Champagne.

"When was the last time you said to your loved one, "Honey, I want to lick sparkling wine off your naked body" or, "Let's break out the Iron Horse?" Sometimes the substitution of the words Champagne or Cristal makes the declarations more plausible."

And when Osborne first meets Robert Mondavi in "The Accidental Connoisseur: An Irreverent Journey Through the Wine World."

"Robert Mondavi came in as if propelled on wheels, soundless but swift. Cocooned in a dapper multicolored knit waistcoat, he cuts an elfin but worldly figure in his corporate HW office on Route 29. I thought him rather elegant in his suede-lined sports jacket and frosted pink shirt."

If you don't have books written by Osborne or McInerney, I would highly suggest buying them. Although no wine writer's essays should be used as bibles dictating what one should and shouldn't buy or taste, they can certainly be read for entertainment, general wine education and wine and writing inspiration. These guys are good.

The work of the aforementioned writers can also be found on the Men's Vogue website, gratis. Mens Vogue has for years been hiring some of the best writers to cover wine and food. Check them out. There are some great wineries that are featured via Vogue.

Review of Bangkok Days in Florida Weekly, June 2009

Bangkok Days: A Sojourn in the Capital of Pleasure By Lawrence Osborne (Farrar, Straus & Giroux, $25)
BEACH READING
REVIEWED BY KATY B. OLSON Special to Florida Weekly

Author and adventurer Lawrence Osborne finds himself among scamps and scoundrels, monks and prostitutes, as he makes his way through Bangkok’s labyrinthine days and hazy nights. Visiting and revisiting the city over the years to satisfy not only his yen for adventure, but also to make the most of his few dollars, his exploits and his encounters with other hotblooded men on the lam reveal both the volatility and tranquility of a foreigner’s Bangkok experience.

Underneath the city’s constant, hovering haze, against the backdrop of wideeyed prostitutes and neon-lit girly bars, memoirist Osborne explores the ins and outs of a seemingly contradictive metropolis where entrenched Buddhism and a deep-rooted pursuit of pleasure don’t collide, but comfortably coexist. The frankness shared by the Thais and pursued by foreign escapees forms the basis of the city’s attraction and mystery. Experiencing the shared vices and accompanying neuroses of fellow Western ex-pats, the author explores what it means to be what the Thai call a “farang,” a foreigner, an outsider in a culture whose definitions of pleasure and sin are quite different from the West’s.

Even more than relentless gratification, though, Osborne finds that Bangkok

provides a

primitive rawness, a pure, unpretentious way of life that has been scrubbed from other urban hubs like New York, removed from the places that daring people most want to escape. He says, “I’m not sure I have much talent, and if I did have some, I wouldn’t go around talking about it. ... I think I came here to escape exactly that.”

A city that is perhaps less intricate than the untamed loners who are so drawn to it, Osborne’s “Bangkok Days” is a living, breathing exploration of one of the world’s most alluring, most mysterious places, and a full-color portrait of the souls who inhabit it. 

Interview by Frank Bures in World Hum, May 2009

Interview With Lawrence Osborne: ‘Bangkok Days’

Travel Interviews: Frank Bures asks the author about why Thailand is so hard to capture in words and why its sex trade isn't really about sex

05.27.09 | 11:10 AM ET

Photo by Christopher Wise

Not far from the apartment where my wife and I lived in Bangkok, there was a narrow canal that wound through the city. One night, we laid awake listening as the rain fell in thick sheets. By morning, the canal had swollen over and flooded the streets. All that day, we trudged across the city in water up to our knees, while things we couldn’t see brushed against our legs and got caught in our toes.

In a way, this is what Bangkok always feels like: an opaque place where you can never quite see beneath the surface. Few outsiders understand it, and there is very little good writing on it. But now, Lawrence Osborne, author of The Naked Tourist: In Search of Adventure and Beauty in the Age of the Airport Mall, has given Thailand’s City of Angels the book it deserves. Bangkok Days: A Sojourn in the Capital of Pleasure is a wistful, vivid account of the time he has spent in the capital among the drifting souls that wash up there. I talked to him by phone about the elusive quality of Thai culture, loneliness and why Bangkok’s sex trade isn’t really about sex.

World Hum: Why is Thai society—like a lot of Asian societies—so hard for outsiders to penetrate?

Lawrence Osborne: It’s impossible, I think. That’s why I decided to write about expats, and not to write too much about Thais themselves. Whenever Westerners have done that, they’ve gotten into trouble because it’s very hard to know what is going on. I wanted to write about Bangkok as a destination for global travelers and exiles and dropouts. I think it serves that function. And I think it’s one of the reasons why the city is what it is. It’s not a Thai city. In a weird sort of way it’s as much our city as theirs. We created it together. It’s a genuinely globalized phenomenon, and it’s a very new kind of city.

Do you know how many foreigners are there?

In Bangkok? It’s a lot. I believe there are something like 100,000 Japanese alone. It’s a city of around 10 million people, so probably half a million. I don’t know. I don’t think anyone’s ever counted them. And it’s impossible to count them because there are so many vagrant people just there for three months who leave and come back and leave. Hundreds of thousands for sure.

You write that Somerset Maugham was one of the few writers to describe Bangkok in detail.

I may be wrong. I may not be very well read.

I don’t think you’re wrong. I did a story a while back for [the defunct] Book Magazine. I looked everywhere, and couldn’t find a single thing.

Bizarre, isn’t it? It’s a strange thing. I mean obviously John Burdett has come in with Bangkok 8, which I think is a very good book. Its perception about how the two cultures collide is very good. But when I started to do this book, I was expecting there to be a vast amount of material I would have to plow through. It turns out there was almost nothing. There is very little material to fall back on, in terms of literary archival stuff. I used to go to the national archives and sit there all day and look at the old maps and read the histories in French or English. And that was quite useful, but there was not a lot available outside the archives and I couldn’t take any of it out of the archives. In the bookstores there wasn’t much. And as for travelogues, books like mine, I didn’t find anything at all.

Any thoughts on why that is? Is it because, as you write, “Bangkok is an asylum for those who have lapsed into dilettantism”?

That’s one reason. It’s a weird place. It’s one of the most visited cities in the world, and yet it’s quite a difficult city to get to know. First of all, you have to speak some Thai. And secondly, you have to live there for a couple years. It’s not a romantic, pretty, beautiful city. It’s a tough place in many ways. I think it has a great deal of charm and gentleness here and there. But I’m sure if you looked at books on Istanbul or Paris you’d find tons of that stuff, because those are much more attractive places to live. Bangkok is more like work. It’s kind of a slog. It wasn’t the easiest place to do this stuff. Doubtless there are other reasons, but I don’t really know what they are. Maybe because Bangkok doesn’t attract a high culture crowd. I don’t really know.

When did you first go there?

In 1990. I was writing a book for a publisher in England about Asian art, a book which miserably failed, actually. And after that I tried to go back as much as I could on and off. Then in 2005 and 2006 I spent an extended time there, and I wrote the book there. 

You write about the isolation of living there.

It’s a very convivial city, but I think people are very isolated because there’s no social glue to connect people. If you’re a foreigner living there, you don’t have any social reason to meet other people, unless you’re working for a bank, or a newspaper or something. And I wanted to write about these guys, because they’re all retired or f—ed up or whatever. There are drifters, and they may not be significant, but I think they’re more symptomatic of the kind of people who end up in Bangkok. It’s quite sad. And that sadness is very important.

I thought about that when I was living there and would see these kind of socially awkward guys walking with their new girlfriends or new wives or whatever. It was hard for me to come down hard on that, because I know how lonely America can be. There are a lot of books coming out about what a big social problem loneliness is in Western countries.

Yes. We are living in an age of loneliness, which is maybe even the principal reason behind this book. To write about loneliness in the urban landscape. It’s an old theme, of course. But maybe, as you say, it’s becoming more acute now, because of the internet and all these things that keep us essentially enclosed. And maybe people are attracted to Bangkok because it has street life. You can be alone but you can still immerse yourself in the street, with its food and sex companionship. You have this tumult of life that makes you feel less lifeless and alone.

And if you take the alternative for these guys, what would it be? Living in an old people’s home? Living in some God-awful suburb in Sydney? There could be worse places than Bangkok.There’s a flight from loneliness in some ways in what they’re doing. Loneliness is my subject here, I think, far more than the sex trade. But the sex trade is about loneliness, too. It’s part of the same thing. I don’t think these guys who live there are obsessed with sex, because I don’t think human beings are obsessed with sex in that way. We’re all obsessed with sex, but not to the point where we just determine our whole life around it. I think that’s a myth. It’s more complicated than that. It has to do with how you deal with solitude, which gets worse as you get older. When you’re young, in your 20s, you don’t worry so much about loneliness. But in your 40s and 50s and 60s, you really worry about it. It starts to become a kind of critical thing. 

Yeah, it is. It seems to me like there are two forces in particular that isolate people more than others: money and technology. The more money you have, the more isolated you can be.

And at the same time, there must be some human drive to be isolated—to have privacy, to control your environment. But technology adds a certain fatal level to all that. Through Twitter and Facebook you can communicate with people all day and feel like you’re not alone. But you are. Physically, you’re alone. And loneliness isn’t just mental, it’s physical. It’s a physical thing. I think one of the things about Bangkok is that you can be touched. It’s a tactile experience. I don’t mean in the crass, go-go bar way. I mean having a foot massage, or all these other things. Western life is so physically isolating. Unless you’re married or something, you’re sitting by yourself. You don’t have any physical contact with anybody or anything. 

Especially if you work at home.

Yes. You’re very alone. Anyway, I think that’s one of the attractions of Bangkok. It’s not just f—king. It’s just the fact that you’re in contact with other people. And yet, the paradox of Bangkok is that it’s also very lonely. You see people who live in these towers and apartment blocks. And if you’re not Thai, you are isolated. But the street makes you feel like you’re back in the human race, and alive again. Last night I went for the first time to the store called Whole Foods in Union Square. And there was this enormous line and it was like 1984. Every line was being called out by number in this soft automated female voice. It felt like being squeezed through a tube of toothpaste. It was so horrifyingly anonymous. And I was standing in this line thinking, I don’t like this. I wish I could be back in Bangkok and be treated like a human being. 

Yes, I know the feeling. Oh, and one more thing I almost forgot: How many nights does it take to make a hard man humble?

(Laughs) Well, one night is all it takes, really. But who knows? There are different levels of humility. Some people find it takes hundred and hundreds of nights. But I’m a terrible romantic. I wasn’t a hard man to begin with.

Review of "Bangkok Days" in Brooklyn Rail, June 2009

Lost and Found in Bangkok

by Nicholas DeRenzo

Lawrence Osborne, Bangkok Days: A Sojourn in the Capital of Pleasure (North Point Press, 2009)

Lawrence Osborne is not your mother’s travel writer. Ironically, he may be your grandmother’s. This is not to suggest that his new book, Bangkok Days: A Sojourn in the Capital of Pleasure, is stodgy or uptight. Quite the opposite. Osborne is not above dabbling in the local methamphetamine of choice yaa maa, visiting sex clubs, dutifully accepting a line of expensive coke, and playing gigolo—for one unsuccessful night—for an aging Japanese woman.

There is an old-fashioned earnestness to Osborne that hearkens back to the Lost Generation. Save for a few pesky decades, he could fit right in with Hemingway and Fitzgerald and Gertrude Stein. Like his disillusioned forebearers, he is an expat looking for an escape. Paris no longer offers the chance to disappear that it once did. To truly get lost, Bangkok is the only viable option. A paralyzing mixture of ancient and ultra-modern, East and West, dignified and gaudy, traditional and cosmopolitan, Bangkok presents such a dizzying assault to every sense that it seems almost impossible not to lose oneself there.

In place of the expats of the 1920s are the so-called farangs (“foreign giants”)—middle-aged Englishmen, Australians, Scots, Spaniards, “lammers” looking for anonymity and an opportunity for self-invention. He writes, “Westerners choose Bangkok as a place to live precisely because they can never understand it, for even the Thai script, that variation of written Sanskrit, is impossible to master. It’s this ignorance which comforts the farang. However conversant in Thai culture, he will never get close to the bottom of it.”

Osborne resists the dual impulses of the contemporary travel writer: to sentimentalize and to sensationalize. He has not come to Thailand on a spiritual quest—to eat, pray, love, as it were. Nor has he gone the Travel Channel route and sought the most beautiful beach, or the weirdest food, or the sexiest women. Granted, the sex and the weird foods are there. Osborne eats a giant waterbug, procured from a shady “insect pimp” who wraps it delicately in a pink paper napkin. He introduces a young prostitute named Porntip who is passed around the expat community like a highly-recommended novel at a book club. He meets Thai sex workers who dress as nuns and work only in pairs. Yet for a book subtitled A Sojourn in the Capital of Pleasure, Osborne deals with these subjects with surprising subtlety and discretion. We are spared the fluids, the motions, the sounds, the smells. Michel Houellebecq or Henry Miller, he is not.

Though Bangkok Days bursts with local color and historical context, the Thai and their perceived “exoticism” are not the central focus. It is the Western farang that is placed under the microscope for further inspection. Like these men, the book is equal parts heartbreak and humor. The travelers have accepted their fates as broken men, yet they do so with a kind of stubborn, good-natured resolve. These men are, above all else, lonely. But Osborne suggests that this loneliness is voluntary, brought on by the impulse to disappear completely. “No one ever truly appreciates how much Robinson Crusoe enjoyed his solitude,” he writes with a nod to Defoe’s lonely island dweller. He is a man alone, the city of millions his island.

Bangkok is a metropolis awash in stimuli—visual, aural, sexual—but Osborne sidesteps the rhapsodic, adjective-drunk prose of most travel writing. No “sun-drenched beaches,” “quaint cobblestone streets,” “picturesque vistas,” and “charming villages” for him. Yet when he allows himself to write sentimentally, his words take on a new grace and poignancy. His brief forays into the poetic seem earned and necessary, not frivolous or self-indulgent.

The Mae Nang shrine is draped with khanom garlands, submerged in incense smoke. Into the canal that runs beside it pilgrims liberate the eels and fish which they buy as karma-improving offerings from vendors nearby. It is lovely to watch them kneel by the water’s edge and pop open the plastic bags containing the animals, then watch them swim away—the latter startled, probably, and confused by their sudden good fortune.

We forgive him the infrequent tear in the eye because he has not spent the rest of the book weeping—over the beauty of a centuries-old temple, over the intrusion of American capitalism, over the irreparable damage that has come to a great city that has quietly accepted its role as the Las Vegas of the East.